******************************************************************************* Blue Mitchell - Boss Horn (1967) ******************************************************************************* ------------------------------------------------------------------------------- General Information ------------------------------------------------------------------------------- Type.................: Music Platform.............: any Compression Format...: RAR File Validation......: SFV Audio Format.........: Lossless Ripper...............: N/A - Lossless webstream rip Encoder..............: Floating 32 bit .wav > 24 bit .wav > .flac files Hz...................: 48,000 Channels.............: Stereo Source...............: Tidal Music Service ------------------------------------------------------------------------------- Post Information ------------------------------------------------------------------------------- Posted to............: a.b.sounds.lossless.jazz News Server..........: Supernews Posted on............: 2/13/2021 ------------------------------------------------------------------------------- Release Notes ------------------------------------------------------------------------------- I don't think this one has been posted in the group before. Maybe a long time ago or in a compilation, but I kinda doubt it. This is the Rudy Van Gelder 24 bit remastered version of the release, sampled off a Tidal Music Service webstream. These Tidal service webstream rips are supposed to be CD quality, and in this case I believe it's possibly one of their HDCD quality streams. Not sure on that one. Rip was done using an Asus Xonar DG sound card. Wave editor was Cool Edit Pro using 48kbs, floating 32 bit settings. It was then toned down to 24 bit resolution using DbPowerAmp, so that it could be interpreted as a readable PCM stream for the FLAC encoder. No alterations were performed, other than what follows. I totally silenced any system noise between tracks with the editor. The track timings will be fairly close to match what's posted below, but they are by no means perfect. Since this is a rip from an audio stream (and not a CD), no .cue or .log files are available. So, given that, it might not be something the hardcore collectors will be interested in. Overall I think it sounds fine for casual listening purposes. CD quality to my old ears, anyway. Tracks are tagged and I always include info regarding the source and methods used to rip it in the comments section. If possible I'll try to include some artwork with it. I usually am not great about replying to re: posts in the group. Just don't lurk the binaries the way I used to, I suppose. However, I do try to pad the releases with plenty of .pars to help them survive in the wild. This is just my way of paying it forward after years of grabbing stuff on here. Here's a very tasty mid 60's release of Mitchell's with a smoking ensemble and I hope you enjoy it - mm Here's the Wiki on it: Released End of October/early November 1967 Recorded November 17, 1966 Studio Van Gelder Studio, Englewood Cliffs, NJ Genre Jazz Length 38:57 Label Blue Note BST 84257 Producer Alfred Lion Track listing "Millie" (Pearson) - 6:18 "O Mama Enit" (Mitchell) - 5:34 "I Should Care" (Sammy Cahn, Axel Stordahl, Paul Weston) - 7:31 "Rigor Mortez" (Dave Burns) - 6:21 "Tones for Joan's Bones" (Chick Corea) - 6:37 "Straight Up and Down" (Chick Corea) - 6:36 Personnel Blue Mitchell û trumpet Jerry Dodgion û flute, alto saxophone Junior Cook û tenor saxophone Pepper Adams û baritone saxophone Julian Priester û trombone Chick Corea (5-6), Cedar Walton (1-4) û piano Gene Taylor û bass Mickey Roker û drums Duke Pearson û arrangement ------------------------------------------------------------------------------- Generated with Cool NFO Creator - http://fly.to/coolbeans -------------------------------------------------------------------------------